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As interviews went, Rick thought, it probably could have gone a bit worse. He could have died in the middle of an answer, or Cheska could have gnawed through the man’s neck at one of the many obviously Chet-directed inquiries. And Chet not being there. Rick shook his mental head slowly, anger heating. Unless he was dead, there was no reason for him to miss a scheduled interview, and especially not the largest with the new director. It was…unprofessional, the worst epithet Rick could come up with, and he watched Mik get into his car with a faint air of distaste. He had nothing against him, but that boy was getting just as bad, provoking Cheska after stealing Chet from her. Arrogant. That was the word. A good actor, but arrogant.

A sigh. I really don’t have time for this. He’d just received the final revisions to his shooting script, and Rick wanted to spend the rest of the day re-associating himself with Satie, not that there seemed much to re-associate with. That was a point for the meeting. There was a meeting later, something about the director wanting to acquaint himself with the people involved. Bullshit, in Rick’s opinion, but it’s no good to piss anyone off this early in the game. Besides, he could ask his questions at the meeting. Where are the Twins? What happened to Amadeus? And WHAT THE FUCK DID YOU DO TO SATIE. Quick one-liners, double entendres, comic relief. He was comic relief. He slammed his fist into the roof of the car, and Cheska looked over from a couple of spaces down. Rick flashed a quick smile, but his teeth were gritted and he could tell she wasn’t buying it. A moment passed, and she got into her car. They’d never been especially close, and he knew she considered herself too busy to deal with one of his “solar flares,” as Chet called them. He didn’t understand how she could not be angry as well, though. Liszt had gone from a strong, independent character with an agenda of her own to a simpering idiot in a bikini. The bikini wasn’t in the script, of course, but the image hovered before Rick’s eyes, and his inner artist began to peel apart in despair. Comic relief. He didn’t like to think himself egotistical, but as Rick opened the car door he couldn’t help but reflect that this would not be a promising reflection on his long and rather successful career.

Zeitgeist is my career now. It better end well.

The realization made him laugh darkly. It was true, wasn’t it? No matter what else he did, there’d be this thing hovering over every project he touched. For Chet, a young man just starting out, that was one thing, or for Mik, who had held diverse enough roles before this to establish himself as untouchable. For him, though, Satie had been the role of a lifetime (linear thinker as he was, Rick still took a moment to laugh at this. He hated clichés), and now it was crushed into something one would expect to see in ––

–––––––––––––––––––––––––––––

“A B-grade action flick?” Chet said it slowly, letting the words coil out. He enjoyed playing the foil, as Mik called it, and at the moment that meant staying still and languid, while Mik ricocheted off the tiny room’s daffodil walls.

“Yes!” Mik was almost shouting, and Chet couldn’t tell if he was terribly angry, or finding the whole thing hysterical. Knowing Mik, it was probably a mixture of both, something Chet could understand. One of the reasons Zeitgeist had been so good to begin with was its lack of conventions, conventions that had apparently been heaped upon this new film in droves. From Mik’s description, the thing sounded like a space opera of the worst kind. Not something that would please reviewers. Or cast members.

“How’d Rick take it?”

Mik stopped mid-stride, and carefully pivoted to face Chet. “Beautifully,” he said, so serious that Chet knew there was a catch somewhere. Mik’s grin was just that impossibly wide.

“And Cheska?”

“Wants your head on a stake.”

“You’re having entirely too much fun. And she can have it. It fucking hurts.”

Mik pinched Chet’s cheek and flounced off. “Aw, poor baby, sleep all day and now complaining. Guess what? DON’T CARE. You. Shower. Now.”

The meeting. Fuck. Fuuuuck.
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:iconlhachwen:

Author's Comments

And here it is, folks, the one you've all been waiting for!

Yes, it's short. Yes, there's more. Why is more not up? Issues with integrating the Vargas dialogue. Why is it REALLY not up? I managed to confuse the hell out of myself. I'm cool like that.

Comments


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:iconcrow-sensei:
Hee. Man, I love Mik. This is only going to spur me into nagging you harder, you know.

--
43% of the time, people are just making up bullshit statistics to look smart.

The other 57% of the time, they just want to mess with your head.
:iconlhachwen:
My method for writing him and Chet is pretty much to imagine Gary and I in a room together.

There's more, just not up yet. For once, your nagging might bear fruit! Squishy fruit.

--
"Why, little is as beautiful as sweet, sweet death! This message brought to you by the Death Council."
:iconcrow-sensei:
SQUISH, DAMN IT. SQUIIIIISH.

--
43% of the time, people are just making up bullshit statistics to look smart.

The other 57% of the time, they just want to mess with your head.
:iconlhachwen:
As you command, SO SHALL IT BE DONE.

--
"Why, little is as beautiful as sweet, sweet death! This message brought to you by the Death Council."
:iconrueyeet:
Heeee. I am sniggering meanly in Rick's general direction. Poor guy. There's NOTHING so good it can't be absolutely ruined by giving the sequel to the wrong director. Speaking of which, maaaan do I want to meet this director now.

It's true, though, Crow's story really does defy convention, for all that it incorporates so many familiar archetypes and themes and all. It's a pity that in reality, the mass market would probably be terribly unsettled by having the main love story be two guys, and the other end of that triangle being a guy too. I would SO go see that movie. Of course, I'd go see Lavender's outline of Zarla's parody too, so maybe that's not saying much. :XD:

I like the way you succeed in painting a picture of people who are already so familiar with each other--as they would be, having worked on the first movie--that there's the sense of a lot of depth to be revealed, there. It's a bit disjointed, but I think that contributes to a sense of things about to go horrifically awry. And if the integration of Vargas means anything, you just KNOW it can't go any other way but BADLY.

All of which is to say, I wanna read more, yes I do!

--
You are what you love, not what loves you. --Adaptation
:iconlhachwen:
It goes hideously. And you really don't want to meet the director, but you will anyway.

I update like the wind!

--
"Why, little is as beautiful as sweet, sweet death! This message brought to you by the Death Council."

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January 16, 2006
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